![]() ![]() The ultimate devil-may-care party boy, Tony Stark is so uninterested in the ramifications of his life and the dangers around him that he packs a bar with his missiles and he refuses to ride in the safer vehicle with Rhodey, calling it the ‘humdrumvee.’ Like America itself before 9/11, Tony Stark doesn’t consider the ramifications of his actions or the fact that he might not be safe as a result, and he is taken by surprise when he is captured by the Ten Rings. Tony’s arc is probably the most complex in the MCU, and it’s slightly hindered by Iron Man 2 sucking, but this is basically how it plays out: This isn’t made clear enough by the film, and it has caused a lot of confusion and has led a lot of people to profoundly misunderstand Tony’s arc.Īt the end of Iron Man Three Tony destroys all the armors, not because he wants to stop being Iron Man (although he does, more on that later), but rather because they represent a failure on his part. The first thing we have to do is go back to Iron Man Three and understand that Tony Stark didn’t retire. Let’s start with the single most misunderstood arc: THE AVENGERS AGE OF ULTRON FREE MOVIE SERIESI want to take a look at each of these characters’ arcs, and show how impressively they have been handled over a series of movies. Even Captain America, paragon of righteous hope, applies the M word to himself: “What kind of monster would let a German doctor experiment on him to protect his country?” While Thor doesn’t say it out loud, his Scarlet Witch-induced vision explicitly shows him as a monster, the lightning he controls destroying Asgardians around him. At one point in the film every Avenger (except Hawkeye) refers to him/herself as a monster. More than that, the character arcs of the original Avengers stood bright against the backdrop of Ultron’s machinations they’re easy to miss on a first viewing because they’re woven so completely into the film’s plot, but once you have that plot under control you can begin to see the ways that the Avengers’ personalities - and their journeys across almost a decade of Marvel Studios films - informs everything.Ī thread that runs through Avengers: Age of Ultron is the looming self-doubt of each team member. Most of my niggling problems with the film simply melted away on a second viewing, and many of the lingering questions felt answered. The film, a slightly too-breathless, sort of too-dense blockbuster, suddenly opens up, the little character moments emerging from between the set pieces and the fights. A second viewing of Avengers: Age of Ultron - a viewing free of hype and hope, a viewing in which you’re armed with a basic understanding of the plot, allowing you to dig a little deeper - pays off in enormous ways.
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